Sunday, 15 November 2015

Emma Hopkins Lewis-Point Edward,Nova Scotia-Women's Institute Co-Founder



Women’s contribution to Life Long Learning through Women’s Institutes



 




The role of women in the field of lifelong learning is mostly unheralded. Of the many women’s groups that developed over time, the Women’s Institutes have probably had the biggest impact on the lives of rural women. Whether due to geography, economics, or lifestyle, historically rural women have lacked the opportunities of their urban sisters. Sexism played a role in supressing women, they could not expect anyone to give them their rights, and they had to claim them.
One of those rural women was my grandmother, Emma Hopkins Lewis. Born in 1888 and living until she was 89 years old, she saw tremendous changes in society. From the horse and carriage to automobiles, she lived through two world wars and the great depression. In 1920 she was one of the founders of the Point Edward, Nova Scotia Chapter of the Women’s Institute. The wife of a farmer and blacksmith and the mother of 4 children, she became a driving force in the work of the Institute eventually becoming a Branch President. She has little formal education but could read and write, no small feat considering her gender and the period of history she lived as a rural women.
The meeting minutes record the level of her involvement. She volunteered to organize fundraising events, providing a meeting place in her home, and brought forward community issues of concern. She brought forth a lot of motions, volunteered her home for meetings and chaired a number of committees.
The primary concern of their fundraising efforts was for the local school, but the scope of their charitable efforts reached well beyond the boundaries of Point Edward or Edwardsville. They made clothing for poor children, provided fruit baskets at Christmas, made underwear and mittens for the Scotchtown Mission School, and raised money for the Bairncroft orphanage.
Their monies were raised by the box social. Cooking and selling dinners, dances, handiwork and grab bags of items from their own homes. These women of humble means took some responsible for the betterment of their communities. They also provided some education for themselves by taking a correspondence course in dressmaking, and learning about public health issues. They discussed the virtues of butter vs. margarine. They also discussed serious public health menace tuberculosis (Women’s Institutes Minutes, 1920-1923).

By reading 3 years of meeting minutes, I was able to get a glimpse into the past, to a time before television, electricity, indoor plumbing and social media. My grandmother never had a bathroom in her house, had a water pump in her kitchen and cooked on a wood stove. As a child this was an adventure, to her it may have provided hardships. The hours caring for a family would have been much greater than today, pre clothing dryer, dishwasher or microwave oven. Food preparation was a longer process, there was to grocery store to take-out restaurant nearby. However, the fact that these women found the time from their responsibilities to come together for tea, conversation, crafts, fundraising and community projects is a remarkable accomplishment.
The Nova Scotia Women’s Institute Act of 1914 provided the formal structure for the organization. The Minister of Agriculture had the responsibility of supporting the week of the institute but it seems to have been set up in an arm’s length fashion
 The real credit for this organization and many other group lies with a relatively unknown Canadian women. Ontario trailblazer, Adelaide Hunter Hoodless, transformed a personal tragedy into an amazing body of social justice work and adult education endeavours. Born in 1857, ten years before Canadian Confederation, her range of accomplishments is astounding. The impetus for her work was due to of the death of a child who drank unpasteurized milk. Blaming herself for the fatality she set about to change in the lives of other women.
She has been called one of the most famous and obscure women in Canada. At a time when women were pushed to the periphery of society, she demonstrated great vision and courage. She founded the Women’s Institute and cofounded the Young Women’s Christian Association, the National Council of Women, and the Victorian Order of Nurses. She also developed Domestic Science curriculum for the province of Ontario. (Retrieved from: http://www.adelaidehoodless.ca/) For a woman to have had such an impact and yet be virtually unknown speaks more to the authors of our curriculum than to her works.
In her book, Domestic Science, Adelaide Hoodless sets out to educate women in a methodical way, about all of the things they need to know to run an efficient household. She writes, “The aim of this text –book is to assist pupils in acquiring knowledge of the fundamental principles of correct living.” well as such concepts as neatness, promptness and cleanliness. Her approach was what we would call today a multidisciplinary approach. She felt giving them a sound basis in theory prepared them for the “fine art of cookery.”(Hoodless, 1898). Pre Canadian’s Food Guide, her chapter’s list categories such as macaroni, plain sauces and hot puddings. (Hoodless, 1898). Probably in reference to her personal tragedy she has chapters on caring for invalids and infants diets. It was a very scientific approach to food preparation also at a time when it was difficult to refrigerate food. Her work in the late 19th and early 20th century is even more astounding considering her means of communication. Today such tragedies as the loss of a child generate Facebook pages and Foundations. Her education efforts through her various orgaizanitions could have saved thousands of lives, in the area of infant mortality. Centuries ago even the medical community didn’t understand that women and children were dying from, “bed pan fever” (cite) and that tragedy was eliminated by washing hands before assisting in birth. I believe she had the same impact on the women and children of her day.
            The writers of history text do a disservice to society by only recording the accomplishment of white, Anglo Saxon protestant men. These events tend to focus on battles and conquests. Lost are the stories of First nation’s people, women and other marginalized groups. Group specific texts that aim to remedy this situation can further marginalize themselves by being seen as an add on, not part of the main stream common knowledge. We need more inclusive texts that celebrate all of our accomplishment and tragedies.

This paper will focus on Women’s Institutes and their impact on adult education. Their mission statement states they aim to provide opportunities to enhance the quality of life, through education and personal development. Their vision statement reads, “Learning, sharing and improving the quality of life for all.” The fact they are still viable organizations today speaks to the relevancy of this organization (Retrieved from: http://www.gov.ns.ca/agri/wi/about/mission.shtml).
            Sue Jackson’s research on Women’s Institutes in Britain does not paint a particularity flattering picture of the organization. Her study centred on Denman College the residential college of the Women’s Institute. She found this organization constructed the image of, “respectable femininity”, social class and “Englishness”.
            She concluded that there is little evidence to suggest the learning at Denman College challenges ideas of community or citizenship. Further, the active citizenship they engage in is exclusionary.
She conceded the all-female environment is a confidence builder for women and feels they are in a safe space. Denman alluded to how women learn which helped develop a comfort level for its participants. Some women formed friendships which helped them deconstruct the stereotype of the older female learner (Jackson, 2006).
            Jackson come stop the conclusion that if women are not educated to participate in public life than that education is of little value. Not all men are suited for or interested in public life, neither are all women. The fact that the Women’s Institutes focus on domestic issue and crafts, for my mind, does not devalue that type of learning. The fact that women want to gain skills in an area of life where they hold the greatest responsibilities make sense to me. It seems to be a male-centric view that women’s issues are not as valuable as men.

In contract to Jackson’s findings, University of York Professor Linda Perryton looked at citizenship through women’s organizations such as the Women’s Institutes from 1930-1959.She credits these types of groups with creating approaches that allowed women to gain skills both in public management and informed them about public life. It gave them a model that allowed them to reject the notion that women should be consigned to the private sphere and that men owned the domain of the political arena (Perriton, 2009).
            Community Education Co-ordinator Mart Hugh’s research concurs with Perriton’s finding on the Women’s Institute in that she feels they did not widen their horizons. In England, 1957 Women’s Institutes were dissolved. She discovered the purpose of this organization was pre World war’s when society was preoccupied with the health of children and morality. Such tragedies as high infant mortality rates were blamed on individual mothers especially those working outside the home.
She accuses the London policy makers of chauvinism due to their policies of providing education that would enhance traditional women’s roles. If the Women’s Institute had been started after the war, she feels the role may have been to educate women for citizenship. Both World Wars gave women the opportunities to work in non-traditional roles outside the home.
Curriculum at that time was developed for domesticity. It kept women in their place in terms of gender and class. It was not uncommon for girls as young as 10 to be released from school part time to work. By today’s standards this is child labour but it was the norm for the poor in the beginning of the 20th century.
After World War 11, it became the trend for men and women to lead less segregated lives and spend more leisure time together. This shift in ideology leads to the abolishment of single- sex education for women (Hughes, 1992).
            A 2013 newsletter from Brandon University talks about the virtues of the Women’s Institutes but brand then as a “material feminist organization”. The author sees the strengths of the orgaization in their charitable works. With one eye firmly on the home and the other on the community, the rural women were able to do remarkable things. Their charitable works in this study were found to be hospital aid and comfort packages to soldiers. They also set up libraries, assisted boys and girls clubs and placed sanitary napkin dispensers in a high school (Reid, 2013).
Although the British researchers tended to view the Women’s Institutes as organizations that perpetuated women’s traditional roles and failed to prepare them for public life, I see the value in their work. They were organized and managed by women. They set their own agendas and controlled then type of learning they wanted to engage in. In a time when women rarely peered outside of the kitchen door, it must have been a breath of fresh air to get to gather and drink tea, make crafts, socialize and plan community service projects. In my mind there is nothing whatsoever wrong with that.

         
           
 

References

Hoodless, A. (1898). Domestic science. The Copp, Clark Company. Toronto.
Hughes. (1992).London took the lead: institutes for women. Studies in the Education of Adults,
            2441-55.
Jackson, S. (2006).Jam, Jerusalem and calendar girls: lifelong learning and the women’s institutes (WI), Studies in the Education of Adults, v.38, no.1, Spring 2006.
Perriton, L. (2009). The education of women for citizenship: the national federation of women’s institutes and the British federation of business and professional women 1930-1959, Gender and Education.v.21, no.1.81-95.
Reid, M. (2013). Women’s institute fonds at the S.J. McKee archives.Monitoba Historical            Society. Spring/Summer 2013.no.72
Who is Adelaide Hoodless?, retrieved from: http://www.greyroots.com/exhibitions/virtual-            exhibits/tweedsmuirs/who-is-adelaide-hunter-hoodless/
Women’s Institutes Act. (1989). Retrieved from:      http://nslegislature.ca/legc/statutes/womens.htm
Woman’s Institutes of Nova Scotia, retrieved from: http://www.gov.ns.ca/agri/wi/projects/
Women’s Institute, Point Edward, Nova Scotia. (1921-1923).







Thursday, 29 March 2012

Mid Century Girl


Mid Century Girl

Last year, I orchestrated a one woman art show called, “Mid Century Girl”. My work dealt with baby boomer themes and how they influenced the world. It was a lot of fun to research. I organized the work like a quiz, I asked the viewing audience to try and guess the objects or people I depicted. I tried to interpret the iconic images of the mid-20th century using the mediums of painting and printmaking techniques. I took a class of elementary students to the show, and they kept asking me who made all of the art. For some reason, they had a hard time accepting it was me! I wanted them to understand the roots of my social justice agenda that informs my lessons. I was inspired by the Beatles and there were some Abbey Road http://www.abbeyroad.com/  references as well as John Lennon in New York. In this blog I will look at how boomers influenced my classroom and the types of projects I work on with my students.

The origin of this social justice agenda probably came from my childhood. My father was a World War ll veteran and my mother was a “stay at home mom.” Dad was a typical veteran of his vintage; they rarely talked about the war. I would get snippets of information but not very much. On the other hand, the Great Depression and World War ll had a profound effect on my mother. She told me a lot of stories about wartime Cape Breton. She never forgot the fear, food rationing, air raid drills, and the anxiety of not knowing if she would ever see my father again. I got the sense from their generation that war should be a last resort; no one actually wins a war. I felt their generations sowed the seeds of feminism and the anti-war “Hippie” movement. The Hippies and their “counter culture” philosophy were the children and grandchildren of the survivors of the war. http://deoxy.org/leary.htm

I remember distinctly the day my brother brought home a Beatles album. I had never heard anything like it, it had a magical quality. They became the sound track of my life. Last year, I saw a Paul McCartney concert in Montreal. People of all ages were on their feet the entire concert, singing every word with him. We stayed in the Queen Elizabeth hotel in the room next to John and Yoko’s suite where they staged their, “Bed in for Peace” and Lennon wrote Give Peace a Chance in that room. It was like a religious pilgrimage. http://honeymoons.about.com/cs/canadiangetaways/a/johnyoko.htm



Other painting were about the Catholic of abstaining from meat on Friday, John Kennedy junior saluting his father’s casket, John Lennon portrait made from the word of the song Imagine, cat eye glasses, 45 speed records and cars with wings. People had a great time at the opening trying to guess a lot of the objects and eating the candy from their childhoods. I became very nostalgic during the process of making this show. I had not realized that the music, food and clothing had made such an impression on my imagination. That is probably why I have been collecting vintage clothing from the mid-20th century for many years. Women had real bodies; they didn’t starve themselves to be underweight. Tom Wolfe called the ideal of the emaciated woman a “social x-ray”. http://www.smh.com.au/news/people/death-of-the-social-xray/2005/07/06/1120329491888.html

As my “Mid-Century Girl” show was evolving I was amercing myself in the past, the music, food, hair styles, clothing, and current events of the time. As far as I could tell, it was the first time people drew on their faces and their clothing. I responded by painting peace signs on clay face masks and decorating a t-shirt and jean with “counter culture’ slogans and icons. The 60’s was a time of conflict and peace. The war in Vietnam versus the Give Peace a Chance crowd. The charisma of the Kennedy`s, Martin Luther King and the promise of new and exciting times. The possibility of reaching the moon both literally and figureatively.All under the shadow of the Holocaust, reminding the world what can happen when we are indifferent to human suffering.





The opposite of love is not hate, it`s indifference.

Eli Wiesel

When I compare my teaching practice to some of the younger teachers on my staff, I see a different agenda. For me, everything I engage in comes from a social justice perspective. A lot of my issues are not even on their radar. They do not remember Pierre Trudeau`s `Just Society`


I was a teenage volunteer working on a campaign for Trudeau. He was magical and had a charisma that even a young girl could see. Richard Gwyn called him the “Northern Magus”. http://www.amazon.ca/Northern-Magus-Richard-J-Gwyn/dp/0771037325 I believe it was that sense of hope for the future and pride in our country that ignited my political passion. President Obama has that same type of energy, you can`t learn that in a Christopher`s Leadership course. http://www.clcnational.com/

            Currently, there are artists from the mid-century practicing art and still relevant. One that influenced my work is Yoko Ono. Outside of the conceptual art world her work may not be appreciated. Her influence during the mid-20th Century was profound. She has recently enjoyed a renewed popularity. Since Lennon’s murder she has dedicated her art to creating a legacy for him. Most people have heard of Strawberry Fields in New York City, her Central Park tribute. She constructed an amazing light sculpture that was conceived during her years with John Lennon but installed after his death. The city of Reykjavik, Iceland is the home for her Imagine Peace Tower. It is lit on the anniversary of Lennon’s birthday October 9th and is extinguished on December 8th the anniversary of his murder. http://imaginepeace.com/





            Another piece of Ono’s that I have adapted it my classroom is the Peace Tree. This concept was influenced by the peace trees she saw in Japan and has gained popularity post atomic bomb. She has installed them in many places and encourages people to leave messages on the tree on the white tags she provides. To some people it may seem like schmaltzy hippy stuff but for me they are words to live by. http://imaginepeace.com/archives/16428

            I suppose it is a normal progression of events that each generation has a clash in values. I don’t feel that same sense of hope for the future that the post war world enjoyed. Everyone was putting the past behind them, starting families and buying as many plastic mass-produced products as they could.  By the time I became old enough to be a hippy, the movement was over. It was replaced by the disco era, the “Me” generation , http://www.generationme.org/aboutbook.html generation x  http://www.google.ca/url?sa=t&rct=j&q=generation%20x&source=web&cd=6&ved=0CFEQFjAF&url=http%3A%2F%2Fwww.theglobeandmail.com%2Flife%2Fthe-hot-button%2Ffor-generation-x-its-all-work-and-no-kids-study-finds%2Farticle2174324%2F&ei=HXtzT5bhGsWu0AGTvoCBAw&usg=AFQjCNE8qfCLkGmQy6Y6vwC-g17wV6xoNg&cad=rja   & y http://legalcareers.about.com/od/practicetips/a/GenerationY.htm  and it became cool to be corporate. Make money at all costs and spend what you don’t have.

            I believe trends are cyclical and we may be at a point in civilization, post Iraq War when we can again work for peace. I dream of that day, as idealistic as it sounds. In my opinion it is the only way. The only thing wrong with peace it that is hasn’t been tried before, Groovy!











           





















           

Saturday, 24 March 2012

Question


Question

Mark Bracher’s book, Radical Pedagogy Identity,Generativity, and Social Transformation dedicates a section in Part Three called Self Analysis for Teachers.(Bracher, 2006) I am willing to lay on Dr. Freud’s coach and answer a series of revealing question about my motives for teaching. In fact, I highly recommend teachers put themselves under the microscope on a regular basis.
I decided to become a teacher because my father thought it would be a good career choice. He worked for the Department of Education as the business manager for an adult trade’s school. I was a fine art student at the Nova Scotia College of Art and Design studying painting, I planned to become an artist and live in poverty. My father believed I could never support myself painting pictures. He felt a teacher’s license would allow me to earn a good living and pass on my art skills to children. I would not have taken that path and at that time, I could not understand why a stable job was important but I trusted him. I was 18 and didn’t understand myself, I was drifting. I am so grateful to him for giving me that advice, he knew me better than I knew myself.
I enrolled in the Bachelor of Art in Art Education at NSCAD. This program no longer exists, at the time; it gave me an art specialist’s license. I enjoyed the program, for the most part, but only four of us graduated from the program. In retrospect, they were very hard on us. Decades later, when I had my own B.Ed. Fine Art students at Cape Breton University I decided I would never treat them the way I was treated at NSCAD. It is the same promise I made when I got my teacher’s license, I vowed to never make a chid scared of me. I have kept both promises.
Initially, I stayed in the art education program because I was fulfilling my father’s wish but I began to see why he had recommended this profession. I was painfully shy. Most of my teachers, from grade primary to twelve would not have recognized the sound of my voice. I didn’t look people in the eye and was socially awkward. My teacher training helped me to overcome this affliction. I had a lot to say but was not able to communicate in social settings. As I gained more confidence as a student teacher, I started to forget about my fear of public speaking. Feminists call it finding your “voice”. http://www.daringtobeourselves.com/ Anyone who knows me today would find it hard to believe I was quiet and shy. The truth is, the shyness is still there, I have better coping skills. Johnny Carson used to tell a joke about his shyness. He said he was the guest at a party who was standing behind the drapes with a drink in his hand when the host opened them.
My identity needs are met by becoming a teacher. I see myself as an educator, no matter the particular job I am engaged in. In the earlier half of my career, I was the justice educator for the John Howard Society. The job straddled the education and criminal justice systems. I developed a series of lectures that I presented to school children and community groups that were designed to demystify the justice system. I had the freedom to develop the program from the response forms of the students. Students would evaluate my class and give me suggestion for future lectures. I wrote new material based on their suggestion so it would always be current. I developed my writing and teaching style working for this non-profit organization. Whenever a new school year starts, I always think about the fact that every September since I was five years old I was in school. Thirteen years of public school, four years of university, two years of graduate school, twenty one years at the John Howard Society and now an art teacher for the Cape Breton Victoria Regional School Board. I cannot see myself ever in a position that does not involve education.
I also have an identity as an artist. It is a struggle to maintain that identity because I do not produce as much work as I would like. I think being an artist is more than producing paintings; it is a start of mind. It is the way I approach the world. It is the way I learn and express myself. I think visually and make associations that make sense to me but often leave others in the dark.
I believe the artist‘s role in society is to be a free thinker, to go against the status quo. People look to our out spoken nature to get a fresh perspective. We can hide behind our eccentricities to not receive the wrath of our opponents. We capture a moment in time with paint, metal, charcoal or clay.
I want my impact on my students to be part of the catalyst that helped them to find out who they are, to be productive members of society, and fully realized human being. I want them to celebrate their uniqueness and be brave. Bravery to me is being scared but doing it anyway. Jumping in with both feet and having faith in yourself that you will figure things out. I want them to care about this world and contribute to its greatness. I want them to be comfortable in their own skin. They should develop a love of learning and stay curious about life. It all sounds very cliché but I really mean it and I hope I model these ideals.
Being a teacher is a very noble profession. I am constantly reminding myself of the responsibilities I have shaping young minds. I am often amazed at the ideas they take away from my class. It is sometimes hard to tell if you are making any impact or if they are going through the motions. Every once and a while, a parent will tell me something their child told them about my class. It is very gratifying to know that I touched someone’s life. Students leave handmade cards on my desk. The elementary students have such pure hearts, I live for those cards.



            I see the role of the teacher evolving to a combination of teacher/counsellor. The social problems and mental illnesses that are present in our students will make our job descriptions morph into a different combination of skills. Presently, I don’t feel, teachers are equipped to deal with the types of emotional problems in our classrooms. Our teacher training did not prepare us for the inclusive classroom, lack of resources, and the types of learning issues that are a regular part of our day. I believe each school will need an expert to deal with the students with autism spectrum disorder. This disorder is more prevalent in the classroom and research indicates it is on the rise. http://autismcanada.org/
There is no question the role of the teacher has changed since I took my teacher training. It is natural for professions to evolve. Although I feel it is more challenging to be a teacher, my love of the educational process has not wavered.


                                                    Reference
Bracher, M. ((2006).Radical Pedagogy Identity, Generativity, and Social Transformation. New York: Palgrave MacMillan




           





           

Wednesday, 14 March 2012

I Do Not Live in the Past


I do not Live in the Past,

the Past Lives in Me

                                                                                      Ellie Wiesel



          Chapter 9 in the Bracher book Radical Pedagogy Identity, Generativity, and Social Transformation gave me lots of food for thought about how I teach the Holocaust. I am going to back track and explain why I teach my students about the Holocaust before I put “how” I teach under the microscope.



When my mother died, I discovered that she had a secret. I was going through her belongings and I found a plastic bread bag of press clipping and some typed manuscripts. The manuscripts were typed on her old manual typewriter and the text matched the clippings. After some investigation, I discovered that during the 1950’s my mother wrote under a number of pen names for a magazine called the Cape Breton Mirror. I was able to find out the name of the publication during my research for an article and a CBC Information Morning phone in show called “Remembering the Cape Breton Mirror”. The CBC was interested because I had written a magazine article about my mother, Isabel Lewis. Before the magazine was released the publisher told me I had to find out more information about the Cape Breton Mirror. I was able to track down the publisher 50 years later. He was a Holocaust survivor, Norman Lipschutz.The Lipschutz family were Polish Jews who fled Hitler and eventually settled in Glace Bay. Norman’s dream was to have a literary magazine, my mother wanted to be a writer. Their worlds collided in the 1950’s for a few years and then that was basically the end of both of their dreams. My mother became buried alive as a post World War ll homemaker and Norman never achieved the same level of success. After the CBC phone in, I was offered the opportunity to write and narrate a documentary for a CBC Radio Program-Maritime Magazine-Reflections from the Cape Breton Mirror. I was taught how to use the editing equipment and learned as I went along how to make a documentary. The documentary led me to Yad Vashem in Israel, the March of the Living for Teachers in Poland and Germany, The Paper Clips Museum in Whitwell Tennessee and gave me the impetus to successfully lobby the Nova Scotia government to proclaim the first provincial Holocaust Education Week. That is why I teach the Holocaust.



            Traveling to Israel had a profound influence on my teaching and my life. I studied at Yad Vashem an internationally recognized Centre to learn about the Holocaust. It is a Museum, archive, Art Gallery and meeting place for scholars. I am trying to specialize in Visual Art and the Holocaust. It is a massive subject and I feel everyone needs to carve out their area of specialization. The workshops I attended talked about Holocaust Education disappearing from schools all over the world. One professor from Germany L discussed research that suggested Holocaust education presented improperly could create anti-Semitism. He said that teenage boys do not relate to victims but ally themselves with the power of the armed forces and often admire the German military. This made my heart stop. I thought of the responsibility I had to teach this material in away that did not victimize people. I wondered if I was approaching this topic correctly.

  Yad Vashem is an incredible structure built by Moshe Safdie. The design is like an arrow piercing the side of a mountain. The arrow is a metaphor for the Holocaust, piercing the heart of the Jewish people but not destroying them. They did survive in spite of the Nazi’s and their collaborators. When you start to go through the Museum you might become overwhelmed but there are no exits, you would have to retrace your steps to exit the exhibit. This is intentional. The lack of exits makes the visitor confront the Holocaust. The last exhibit you visit has pictures of people killed in the war displayed in a circular fashion in the ceiling. These pictures cast their reflection on the floor which resembles a dark pool. The idea is that when we die we go into the ground, but Jewish people believe their body is transformed and goes to heaven. Over to the side of that room is a lookout over the Jerusalem, the holy city of David. It is quite an experience.    



Speaker after speaker recommended that Educators focus on human rights. They believed that a society that values human rights would not allow a Holocaust to take place. They also felt that Jewish history should be taught in its entirety, focusing on their accomplishments.  For thousands of years, the Jewish people have survived many persecutions, but they have been triumphant.



            When I got home I met with Dr.Katherine Covell from the Cape Breton University Children’s Rights Centre. After that meeting, I accepted the challenge of writing a curriculum that would show teachers how to use art to teach the United Nations Convention on the Rights of the Child.  I wrote the lessons and worked out the strategies with my Grade 10, Visual Art classes at Memorial Composite high school. This curriculum called, “Using Art to Teach Children’s Rights”, is now currently being used by UNICEF. http://globalclassroom.unicef.ca/en/resources/featured_lessons.htm



            This brings me back to Bracher, Page 109, paragraph 1, “…many teachers and scholars who want their work to promote social justice view historicism as an essential weapon in their battle against injustice and oppression...” I have definitely used history to teach about social justice, I believe it is important to know the roots of issues. I don’t think I have to throw the baby out with the bath water; it is a question of how much emphasis to place on the parts of the lesson that is historical.



Also, Page 111, paragraph 1, quotes Nietzsche with a different opinion, he felt that”…while the lessons of history are indispensable, they can be learned from a relatively small piece of history….historical sense makes its servants passive and retrospective.” I see these comments as looking at the weighting of issues and the techniques of getting enough information on a topic to move forward and put everything in context.



Further, Page 113, paragraph 2, reminds us that “…Dead White European Male literary histories promote suppression and oppression of, and repression in, those (women, racial and ethnic minorities, and others) whose attributes are not recognized in these histories.” The balances of voices, genders, social status, and ethnicity should always be considering when choosing research. Allowing the dissenters to have a voice is crucial.



Page 114, page 2 warns that “…overinvestment in a single identity (racial, gender, sexual, national, etc) produces two negative consequences.” It makes ones identity vulnerable and cultivates an identity as a victim.

           

            It seems in an attempt to disclose the injustices of the past and right past wrongs, we are in danger of victimizing groups of people thus damaging their self worth to the point when they stay victims. We get the opposite of what we are trying to achieve. When teaching students about racism, anti-Semitism, sexism and other injustices there is a huge burden of responsibility on the purveyor of information to do justice to the material and those who are suffering.



            The information in Chapter 9 appears to support what I learned in Israel about Holocaust education. When students learn about and value human rights they can analyze situations and determine if people are being treated fairly. That is the most effective way I have found to help children understand that, “Those who do not remember the past are condemned to repeat it.”(George Santayana.)





References:



Bracher, Mark. (2006) Radical Pedagogy Identity, Generativity, and Social Transformation. New York: Palgrave MacMillan




Tuesday, 28 February 2012

With God On Our Side

With God On Our Side

Comments on the Mark Bracher book: Radical Pedagogy
By Diane Lewis


Reading the book, Radical Pedagogy Identity, Generativity and Social Transformation by Mark Bracher has made me ask myself some important questions. http://www.amazon.ca/Radical-Pedagogy-Identity-Generativity-Transformation/dp/0230621112/ref=sr_1_10?s=books&ie=UTF8&qid=1330287767&sr=1-10. I have been an educator all of my professional career, it is my identity. I have also been a student for a longer time. The Buddhist Proverb, “When the student is ready, the teacher will appear.” has been a consistent theme for me, in both roles.

I love teaching because I love to learn. I like to switch roles from educator to student on a regular basis. It keeps me humble, put me in the place of the student, vulnerable. I teach elementary school and at that age there is a joy of learning, especially art. The reality is they don’t have a choice and children have a sense of adventure. They throw themselves into new situations without a lot of inhibitions. Their carefree attitude has transformed by painting. I feel free to use bold colours; they often give me advice on projects. I like to show them the process of creating art, how I overcome creative blocks and correct mistakes. I ask them to save their draft copies of their work so I can see the development of their ideas and they can see their progress.

 Bracher states “…education should support and develop students’ identities…” (Bracher, 2006, p.X1), he considers this the central purpose of education. I agree and would add that it should help them find their place in the world. I was intrigued by his statement that education can reduce such behaviors as violent crime, group hatred, racism and sexism.(Bracher,2006,p.X111,para 3). As an educator with roots in social justice I wanted to learn more.

The lesson I use to help develop my students’ voice is my children’s rights project. Elementary aged students really do have the capacity to decipher the United Nations Convention on the Rights of the Child. I let the children chose an article from the convention and develop a project around those concepts. Child labor is always a popular topic, as is the right to play and the right to have a name. They have raised money for groups who immunize child in the midst of war, the organization Peace One Day. http://peaceoneday.org/ The convention made them realize that war is a children’s right issue.
           
Chapter 1, Bracher discusses his reasons for believing that one’s identity is at the root of human behavior.  He discusses political action and social problems. He returns to identity and the connection to social problems though out the book. (Bracher, 2006, p.3)



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“I DON'T WANT TO BELONG TO ANY CLUB THAT WILL ACCEPT PEOPLE LIKE ME AS A MEMBER".

Groucho Marx





I agree with Bracher that identity is an important motivating force. It has been my experience that if students feel the class is busy work or if they cannot relate to the topic, they do not engage. This is particularly an issue in high school where students are constantly asking why they have to learn certain subjects. They have troubling understanding that the high school curriculum is relevant to their lives. They want the movies shown in class to be current; if they had an outdated hairstyle or clothing they  reject the message. They wanted a curriculum that was based more on pop culture than the outcomes identified by the Department of Education. In elementary grades they embrace the lessons with less complaining and questioning. The differences may be attributed to different times in their lives or hormones. If they didn’t like the package they didn’t want to know what was inside.

            The section on vulnerability deals with war and terrorism. As a Holocaust Educator I can relate to the material about identity. In early 20th Century Germany, the seeds for anti Semitism had been sown. Hitler was able to bring to the for front the German peoples’ shattered identity from their World War l humiliation. He was able to galvanize his country by finding “identity-protecting scapegoats”, (Bracher, 2006, p.6) those who were not Ayrans, the pure master race.
It is hard to believe such hateful ideology could bring the world to its knees. I would submit the world is still recovering from this madman. When you travel throughout Europe there are many visible scars of a past conflict. It may be less obvious the emotion toll on the people who in some cases lost their entire family. Hitler certainly knew how to create an identity for a nation that excluded people he saw as inferior. Polish people, homosexuals, Jehovah Witnesses, mentally and physically handicapped people, artists-the list is unending. Most of us would be on his list at some point.

Many Neo- Nazi or white supremacists groups try to disguise themselves these days as patriots. They have such names as Heritage Front or Nationalist Party of Canada. http://en.wikipedia.org/wiki/Neo-Nazism_in_Canada
They sound harmless, perhaps even patriotic. Hate groups are smart enough to understand how they are perceived and know how to sanitize their message. The new Anti-Semitism is Holocaust denying. http://www.adl.org/holocaust/introduction.asp They try to turn hatred into an academic debate. The courts have had to sort out cases and determine when the right to free speech becomes hate literature.
When people with these belief systems become educators we can have situations as explained in the chapter, Collusion in the Transference, “… students to seek recognition from authority by adopting certain alien identity contents they believe the authority approves of…”  (Bracher, 2006, pp.80-81, para.3)

The New Brunswick former teacher Malcolm Ross came into the public foray when a Jewish student complained about his Anti-Semitic teachings. It was written in a 1996 Supreme Court of Canada ruling  that his writings and teachings were harmful and that society needs to , “ …protect the right and freedom of Jewish children to have a school system free from bias, prejudice and intolerance'.[2] http://en.wikipedia.org/wiki/Malcolm_Ross_%28school_teacher%29  


            The Arab/Israeli conflict would certainly be an example of identity spurring on hatred and terrorism. Bracher states, “…when their own group engages in violence, people see the action as justified by some form of provocation by the other party, but when their group is the victim of violence, people perceive themselves to be innocent of all provocation and attribute all the blame to the other party, which is seen as the aggressor.” I believe that is why the average person seems to have a hard time sorting out this conflict and assigning blame or guilt. (Bracher, 2006, p.9, para.2)

            As I was reading this book I kept hearing Bob Dylan’s song, “With God On Our Side.” Many times in my travels though life I have remembered the lyrics, it goes like this:

Oh my name it is nothin'
My age it means less
The country I come from
Is called the Midwest
I's taught and brought up there
The laws to abide
And that land that I live in
Has God on its side.

Oh the history books tell it
They tell it so well
The cavalries charged
The Indians fell
The cavalries charged
The Indians died
Oh the country was young
With God on its side.

Oh the Spanish-American
War had its day
And the Civil War too
Was soon laid away
And the names of the heroes
I's made to memorize
With guns in their hands
And God on their side.

Oh the First World War, boys
It closed out its fate
The reason for fighting
I never got straight
But I learned to accept it
Accept it with pride
For you don't count the dead
When God's on your side.

When the Second World War
Came to an end
We forgave the Germans
And we were friends
Though they murdered six million
In the ovens they fried
The Germans now too
Have God on their side.

I've learned to hate Russians
All through my whole life
If another war starts
It's them we must fight
To hate them and fear them
To run and to hide
And accept it all bravely
With God on my side.

But now we got weapons
Of the chemical dust
If fire them we're forced to
Then fire them we must
One push of the button
And a shot the world wide
And you never ask questions
When God's on your side.

In a many dark hour
I've been thinkin' about this
That Jesus Christ
Was betrayed by a kiss
But I can't think for you
You'll have to decide
Whether Judas Iscariot
Had God on his side.

So now as I'm leavin'
I'm weary as Hell
The confusion I'm feelin'
Ain't no tongue can tell
The words fill my head
And fall to the floor
If God's on our side
He'll stop the next war.



Reference

Bracher,M. (2006).Radical Pedagogy Identity, Generativity, and Social Transformation. New York: Palgrave MacMillan.